{"id":11873,"date":"2014-07-09T09:13:44","date_gmt":"2014-07-09T09:13:44","guid":{"rendered":"http:\/\/atifunaldi.wordpress.com\/2014\/07\/09\/%e2%80%8blostu-ben-yazsam-yapimci-adayi-nereden-bulacagim-git-silede-cek-der\/"},"modified":"2014-07-09T09:13:44","modified_gmt":"2014-07-09T09:13:44","slug":"%e2%80%8blostu-ben-yazsam-yapimci-adayi-nereden-bulacagim-git-silede-cek-der","status":"publish","type":"post","link":"https:\/\/atif.unaldi.org\/blog\/2014\/07\/09\/%e2%80%8blostu-ben-yazsam-yapimci-adayi-nereden-bulacagim-git-silede-cek-der\/","title":{"rendered":"\u200bLOST\u2019U BEN YAZSAM YAPIMCI \u201cADAYI NEREDEN BULACA\u011eIM, G\u0130T \u015e\u0130LE\u2019DE \u00c7EK\u201d DER"},"content":{"rendered":"

Ge\u00e7en sezonun iddeal\u0131 yap\u0131m\u0131 ve reyting rekortmeni Karag\u00fcl dizisinin senaristi Erkan Birg\u00f6ren sinema televizyon sekt\u00f6r\u00fcn\u00fcn ilk dijital dergisi Filmstudio\u2019nun d\u00f6rd\u00fcnc\u00fc say\u0131s\u0131nda senaristlik ve dizilerle alakal\u0131 \u00e7ok \u00f6nemli a\u00e7\u0131klamalar yapt\u0131. Birg\u00f6ren; T\u00fcrk senaristi \u201cLost\u201d izleyip \u201cK\u0131nal\u0131 Kar\u201d yazan \u015fizofrendir derken; \u2019 G\u00f6kdelen y\u0131k\u0131l\u0131r yazsan yap\u0131mc\u0131 \u0131slak odunla d\u00f6ver\u201d \u015feklinde konu\u015ftu. Bir senaristin yaz\u0131m a\u015famas\u0131nda ve sonras\u0131nda ya\u015fad\u0131\u011f\u0131 sendroma daha yak\u0131ndan tan\u0131k olmak istiyorsan\u0131z Erkan Birg\u00f6renle yap\u0131lan keyifli s\u00f6yle\u015fiyi a\u015fa\u011f\u0131dan okuyabilece\u011finiz gibi www.filmstudiodd.com<\/a> adresinden de daha fazlas\u0131na ula\u015fabilirsiniz.
\n\u201cFilancayla dopdolu ve keyifli bir r\u00f6portaj ger\u00e7ekle\u015ftirdik\u201d, bir s\u00f6yle\u015fi kli\u015fesidir ancak; senarist Erkan Birg\u00f6ren ile hakiki anlamda keyifli ve dopdolu bir r\u00f6portaj yapt\u0131k.
\n\u2018Karag\u00fcl\u2019, \u2018Kavak Yelleri\u2019, \u2019Bug\u00fcn\u00fcn Sarayl\u0131s\u0131\u2019, \u2018Elde Var Hayat\u2019, \u2018Bizim Evin Halleri\u2019, \u2018A\u015fk ve Ceza\u2019, \u2018Sana Bir S\u0131r Verece\u011fim\u2019 gibi bir\u00e7ok ba\u015far\u0131l\u0131 dizinin senaristli\u011fini yapan Erkan Birg\u00f6ren ile senaristlik mesle\u011fini ve dizi sekt\u00f6r\u00fcn\u00fc enine boyuna konu\u015ftuk.
\nKa\u011f\u0131t \u00fczerinde evrenler yaratan, tutkuyla izledi\u011fimiz dizilerde bizi bamba\u015fka hayatlarla tan\u0131\u015ft\u0131ran insanlar\u0131n d\u00fcnyalar\u0131n\u0131 merak edenler bu s\u00f6yle\u015fide \u00e7ok \u015fey bulacak.
\nBA\u015eKA YETENE\u011e\u0130M YOKTU SENAR\u0130ST OLDUM<\/strong>
\nFilmstudio: Senaristli\u011fi tercih etmenizin \u00f6zel bir nedeni var m\u0131?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> Ba\u015fka hi\u00e7bir konuda yetene\u011fim yoktu. Zamanla yazarak kendimi iyi ifade edebilece\u011fimi ke\u015ffettim ve hasbelkader yazmaya ba\u015flad\u0131m.
\nKEND\u0130 F\u0130LM\u0130M\u0130 \u00c7EKENE KADAR D\u0130Z\u0130 YAZACA\u011eIM<\/strong>
\nDramaturji b\u00f6l\u00fcm\u00fcn\u00fc bitirdikten sonra \u201ckendi filmimi yapana kadar dizi yazay\u0131m\u201d dedim ve 20 senedir dizi yaz\u0131yorum. Yakla\u015f\u0131k 22 farkl\u0131 dizide kalem oynatt\u0131m. Kimi 3 b\u00f6l\u00fcm, kimi 300 b\u00f6l\u00fcm s\u00fcrd\u00fc. Kendi filmimi, \u00f6n\u00fcm\u00fczdeki yaz yazaca\u011f\u0131m. Ama o \u00f6n\u00fcm\u00fczdeki yaz hi\u00e7 gelmiyor.
\nD\u0130Z\u0130 YAZMAK F\u0130LM YAZMAKTAN ZOR<\/strong>
\n Filmstudio: Dizi yazmak m\u0131, film senaryosu yazmak m\u0131 daha m\u0131 zor? Aralar\u0131ndaki temel farklar neler?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> Dizi yazmak asl\u0131nda film yazmaktan \u00e7ok daha zordur. Dizi, \u00e7ok fazla parametresi olan bir \u015fey. Ortalama 100 dakikal\u0131k bir \u00fcr\u00fcn ortaya koymak zorundas\u0131n\u0131z, bu d\u00fcnya standartlar\u0131nda bir uzun metrajl\u0131 filme tekab\u00fcl ediyor. Uzun metrajl\u0131 film \u00e7ok prod\u00fcksiyon gerektirmiyor. Dizide haftada bir yazmak zorundas\u0131n\u0131z, y\u00f6netmen de haftada bir \u00e7ekmek zorunda. Bunlar fiziki zorluklar, ayn\u0131 zamanda sekt\u00f6r\u00fcn getirdi\u011fi ba\u015fka zorluklar da var.
\nFilmstudio: \u00c7ok izlenen bir senaryo yazman\u0131n s\u0131rr\u0131 nedir?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> \u201cBen g\u00fczel, derin bir hikaye anlataca\u011f\u0131m arkada\u015flar\u201d dedi\u011finizde genelde \u00e7ok ba\u015far\u0131l\u0131 olam\u0131yorsunuz. \u00c7\u00fcnk\u00fc televizyon izleyicisinin alg\u0131s\u0131 her 20 dakikada bir reklamlarla kesintiye u\u011fruyor. Baz\u0131 ki\u015filer \u201cben dizi seyretmiyorum, belgesel izliyorum\u201d derken \u015funa s\u0131\u011f\u0131n\u0131yorlar; \u201c\u0130\u015fte \u00e7ok sabun k\u00f6p\u00fc\u011f\u00fc, zekam\u0131 g\u0131d\u0131klayan \u015feyler de\u011fil.\u201d Burada televizyon seyircisinin de haks\u0131z bir hakarete u\u011frad\u0131\u011f\u0131na inan\u0131yorum.
\nHEP B\u0130L\u0130ND\u0130K H\u0130KAYELER TUTAR<\/strong>
\nFilm seyrederken p\u00fcr dikkat sahneye bakars\u0131n\u0131z, senarist sizinle oyun oynar, zekice hamleler yapar, kimse perdeyle sizin aran\u0131za girmez. Televizyonda dizi izlerken kom\u015funun kahvesi kalmam\u0131\u015ft\u0131r gelir sizden ister, \u00e7ocu\u011funuz gelir, \u201c\u00f6devim var\u201d der. Bu durumda zaten siz \u00e7ok derin bir hikaye ile seyircinin kar\u015f\u0131s\u0131na \u00e7\u0131kamazs\u0131n\u0131z. Hep bilindik hikayelerin y\u00fcr\u00fcmesinin sebebi bu; seyirciyi koparken geri ba\u011flamak.
\nArkada\u015f\u0131m\u0131n annesi dedi ki, \u201cEzel\u2019i izlerken \u00e7ay koymaya gitmeye korkuyorum. Bir gidiyorum 70\u2019lere, bir geliyorum 90\u2019lara gitmi\u015fler.\u201d Bu senaryonun zaaf\u0131 m\u0131? Hay\u0131r.
\n\u201cG\u00d6KDELEN YIKILIR\u201d YAZSAN, YAPIMCI ISLAK ODUNLA D\u00d6VER<\/strong>
\nTeknik imkanlar nedeniyle istedi\u011finiz kadar \u00f6zg\u00fcr yazam\u0131yorsunuz. Bu durum RT\u00dcK\u2019ten ya da ba\u015fka kurumlardan kaynakl\u0131 de\u011fil sadece. Misal; \u201cg\u00f6kdelen y\u0131k\u0131l\u0131r\u201d diye bir sahne yazsam, yap\u0131mc\u0131 beni \u0131slak odunla d\u00f6ver. Hele bir de sesli \u00e7ekim ve dublaj varsa paran\u0131n da \u00f6tesinde zaman yetmiyor. O kadar parametre ve k\u0131stas var ki; her hafta 100 dakika yazmak ve bunu 1 y\u0131la yayarak hikayeyi d\u00fc\u015f\u00fcnmek gerekiyor. Reyting al\u0131p seyircinin beklentisini tatmin ederek ilerletmek ger\u00e7ekten \u00e7ok zor. O y\u00fczden televizyon senaristleri bence \u00e7ok daha ba\u015far\u0131l\u0131<\/strong>d\u0131r diye d\u00fc\u015f\u00fcn\u00fcyorum.
\nFilmstudio: Her \u015feye ra\u011fmen hayalinizdeki diziyi yazd\u0131n\u0131z diyelim. \u00c7ekecek yap\u0131mc\u0131 nereden bulacaks\u0131n\u0131z?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> Y\u0131llar sonra hat\u0131rlanacak diziler i\u00e7in bazen yap\u0131mc\u0131lar ciddi anlamda risk al\u0131yorlar. Timur Savc\u0131\u2019n\u0131n Muhte\u015fem Y\u00fczy\u0131l\u2019da ald\u0131\u011f\u0131 risk ger\u00e7ek bir risktir. Kendi s\u00f6ylemi\u015ftir; \u201cbu i\u015fle ya batar\u0131m ya da \u00e7\u0131kar\u0131m\u201d diye. Yap\u0131mc\u0131lara da hak vermek laz\u0131m, \u00e7\u00fcnk\u00fc ortalama 500-600 bin lira bu i\u015fe yat\u0131racak. Bu paray\u0131 en baba kanal\u0131n size \u00f6demeye ba\u015flamas\u0131 4 b\u00f6l\u00fcmden \u00f6nce olmaz. Reytingler d\u00fc\u015f\u00fck giderse 3.b\u00f6l\u00fcmden sonra kanal diziyi kald\u0131r\u0131yor. Yani 2 milyonu g\u00f6md\u00fcn\u00fcz. Ancak \u00e7ok g\u00fc\u00e7l\u00fc yap\u0131mc\u0131lar batan i\u015flere ra\u011fmen ayakta durabiliyorlar. Bu da bir elin 5 parma\u011f\u0131n\u0131 ge\u00e7miyor. Di\u011ferleri de bu \u015fartlanmayla \u201caman tutacak i\u015f yapal\u0131m, \u00e7ok d\u00f6nem olmas\u0131n, o olmas\u0131n, bu olmas\u0131n, b\u00fct\u00e7eyi daraltal\u0131m, batarsak da k\u00fc\u00e7\u00fck batal\u0131m\u201d diyorlar. Hep dizilerin birbirini tekrar etmesi de bundan kaynaklan\u0131yor.
\nSENAR\u0130STLER KEND\u0130LER\u0130N\u0130 YAZARLAR <\/strong>
\nFilmstudio: Yazd\u0131klar\u0131n\u0131zda kendi hayat\u0131n\u0131zdan kesitler var m\u0131?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> Senaristler kendilerini yazarlar. Sizde kar\u015f\u0131l\u0131\u011f\u0131 olmayan hi\u00e7bir duyguyu ka\u011f\u0131t \u00fczerine yans\u0131tamazs\u0131n\u0131z. Senarist olarak seyirciyi en \u00e7ok vuran c\u00fcmleleriniz sizin hayat\u0131n\u0131zda mutlaka bir anlam\u0131 olanlard\u0131r. Seyirci o samimiyeti yakalar. Seyirci; \u201caman \u015funun devaml\u0131l\u0131\u011f\u0131 tutmam\u0131\u015f, \u015fu makyaj yanl\u0131\u015f olmu\u015f, Sultan S\u00fcleyman\u2019\u0131n zaman\u0131nda bu \u00f6yle de\u011filmi\u015f\u201d gibi bakmaz, sadece kalbi ile seyreder. Senarist, senaryosunu d\u00f6n\u00fcp bir daha okusa y\u00fczde 90 kendi ya\u015fad\u0131\u011f\u0131 bir \u015feyler oldu\u011funu g\u00f6r\u00fcr.
\nD\u0130Z\u0130, G\u00d6RSEL RADYODUR, KULAK \u0130LE \u0130ZLEN\u0130R<\/strong>
\nSeyirci g\u00f6rsele de\u011fil, s\u0131cak ve naif hik\u00e2yeye bak\u0131yor. Karag\u00fcl\u2019\u00fcn ba\u015far\u0131s\u0131n\u0131n en b\u00fcy\u00fck sebebi anneler ve \u00e7ocuklar aras\u0131ndaki duyguyu anlatmas\u0131d\u0131r.
\nKurt Seyit ve \u015eura\u2019da e\u011fer karakter ile seyirci aras\u0131nda bir ba\u011f kurulam\u0131yorsa, aralar\u0131ndaki ili\u015fki a\u00e7\u0131l\u0131yor. Oysa K\u00fc\u00e7\u00fck A\u011fa\u2019da \u00e7ok basit naif bir hik\u00e2ye var. Bizim co\u011frafyam\u0131z s\u00f6zl\u00fc k\u00fclt\u00fcrden gelir. Biz R\u00f6nesans ya\u015famad\u0131k, resim heykel gelene\u011fi yok. Biz biraz daha Ortado\u011fu toplumuyuz. Kula\u011f\u0131m\u0131za masallar okunuyor. Bizde televizyon dizisi g\u00f6rsel radyo tiyatrosudur. Dizilere bak\u0131n; bir anne \u2018taba\u011f\u0131ndaki fasulyeyi bitir\u2019 demez, \u2018o tabak bitecek\u2019 der. \u00c7\u00fcnk\u00fc televizyon seyircisinin bir\u00e7o\u011fu g\u00f6z\u00fc ile de\u011fil kula\u011f\u0131 ile seyreder.
\nYE\u015e\u0130L\u00c7AM\u2019IN KR\u0130PTOSU SAM\u0130M\u0130YET<\/strong>
\nBiz kalbi beyninden b\u00fcy\u00fck olan co\u011frafyan\u0131n insanlar\u0131y\u0131z, kalbimize sorar\u0131z. \u00c7ocukken yazl\u0131k sinema vard\u0131. Kom\u015fu Hayriye Teyze anneme seslenirdi; \u201cyeni film var, a\u011flaya a\u011flaya i\u00e7imiz \u00e7\u0131kt\u0131, git\u2019 derdi. \u201cA\u011flaya a\u011flaya i\u00e7imiz \u00e7\u0131kt\u0131\u201d kelimesi o filmin g\u00fczelli\u011fini anlat\u0131rd\u0131. O y\u00fczden halen d\u00f6n\u00fcp d\u00f6n\u00fcp Ye\u015fil\u00e7am filmlerini izliyoruz. Bu g\u00fcne kadar binlerce dizi ve film yap\u0131lmas\u0131na ra\u011fmen \u2018Ben Ya\u015far Usta\u2019 dedi\u011fim zaman herkesin t\u00fcyleri diken diken oluyor. G\u00fclerken bile \u00f6yleyiz. Ye\u015fil\u00e7am\u2019\u0131n tek kriptosu samimiyet. Televizyon dizilerinde bazen senarist, oyuncu, yap\u0131mc\u0131 tutar diye \u201cbol bol sevi\u015fme yazal\u0131m\u201d derler. Karag\u00fcl\u2019\u00fcn k\u00f6t\u00fc karakteri Kendal\u2019\u0131n 3 han\u0131m\u0131 var ama dizide erotizm yok. Trib\u00fcnlere oynamadan basit, s\u0131cak, vurucu c\u00fcmlelerle hikaye anlatmaya \u00e7al\u0131\u015f\u0131yoruz. San\u0131r\u0131m ba\u015far\u0131l\u0131 olduk. Senarist olarak jenerikte 3 isim var ama, bir\u00e7ok ki\u015finin eme\u011fi var, bunu bilin.
\nFAZIL SAY\u2019I TA\u015eLIYOR, \u015eARKI S\u00d6YLEMEKTEN AC\u0130Z \u0130NSANLARI BA\u015e TACI YAPIYORUZ<\/strong>
\nFilmstudio: Karag\u00fcl\u2019de Kendal karakteri, k\u0131z erkek ayr\u0131m\u0131 yap\u0131yor, izleyiciden tepki al\u0131n\u0131yor mu?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> \u00d6nce Cihangir\u2019de oturup, Maslak\u2019ta kahvalt\u0131 yap\u0131p, ak\u015fam Reina\u2019larda e\u011flenip; \u201cne olacak Anadolu insan\u0131n\u0131n hali?\u201d diyen insanlar\u0131n samimiyetsizli\u011fi beni \u00e7ok rahats\u0131z ediyor. Biz Karag\u00fcl\u2019de Anadolu insan\u0131n\u0131n sorunlar\u0131n\u0131 ajite etmeden ortaya koyuyoruz. Y\u00fczlerce y\u0131ld\u0131r insanlar\u0131n iliklerine i\u015flemi\u015f bir davran\u0131\u015f modeli var. D\u0131\u015far\u0131dan bir insan gelip iki kelime etti\u011finde devrim olmaz. Olmuyor da zaten.
\nTRT tek televizyon iken rahmetli Hikmet \u015eim\u015fek Pazar g\u00fcnleri Beethoven\u2019den klasik m\u00fczik \u00e7alard\u0131. O d\u00f6nem TRT\u2019nin bu program\u0131 bir sonuca ula\u015fsayd\u0131, bug\u00fcn Faz\u0131l Say\u2019\u0131 sopalay\u0131p \u015fark\u0131 s\u00f6ylemekten aciz insanlar\u0131 da ba\u015f tac\u0131 etmezdik. Televizyon dizisi var olan\u0131, do\u011fru olan\u0131 g\u00f6sterir ama haddinden fazla da misyon y\u00fcklememek gerekir. Elimizden geldi\u011fince ahlakl\u0131 bir i\u015f yapmaya \u00e7al\u0131\u015f\u0131yoruz.
\nKARAG\u00dcL\u2019\u00dcN FARKI TR\u0130B\u00dcNE OYNAMAMASI<\/strong>
\nFilmstudio: Karag\u00fcl\u2019\u00fcn di\u011fer dizilerden fark\u0131 ne?<\/strong>
\nERKAN B\u0130RG\u00d6REN<\/strong>: Onu bilsem bir daha yazar\u0131m. Karag\u00fcl\u2019\u00fcn fark\u0131 samimi, s\u0131cak anlat\u0131m\u0131, trib\u00fcnlere oynamamas\u0131. Masallardan \u00e7ok fazla beslenen bir senarist ekibiyiz, anneannelerimizin hikayelerini Kadriye\u2019den duyabilirsiniz. Masal\u0131n bitti\u011fi yer dizinin bitti\u011fi yerdir. Seyirci ile ayn\u0131 dili konu\u015fuyoruz.
\nKARAG\u00dcL\u2019\u00dcN BA\u015eARISI 45 YA\u015e \u00dcST\u00dc ANADOLU KADINININ ESER\u0130<\/strong>
\nAnadolu\u2019da 45 ya\u015f \u00fcst\u00fc ev kad\u0131n\u0131 seyirci kitlesi Karag\u00fcl\u2019\u00fcn ba\u015far\u0131s\u0131n\u0131n sebebidir. Sosyal medyada Karag\u00fcl\u2019\u00fcn esamesi okunmuyor. \u00c7\u00fcnk\u00fc benim seyircim internetten uzak, tweet nedir bilmez.
\n\u00d6\u011f\u00fct vereni rahatlat\u0131r. \u201cKendal kad\u0131nlara zulmetme\u201ddedi\u011fimde kendi zek\u00e2m\u0131n zek\u00e2t\u0131n\u0131 vermi\u015f olurum. Biz masal anlat\u0131yoruz, didaktik c\u00fcmlelerle bo\u011fmamal\u0131y\u0131z. \u00d6\u011fretmenin so\u011fuklu\u011fu seyirciyi iter. Bu \u2018seyirci kafan \u00e7al\u0131\u015fm\u0131yor\u2019 demektir. \u0130nsanlara parmak sallayan, ders veren \u015feylerin ne ahlaki de\u011feri ne de televizyonda kar\u015f\u0131l\u0131\u011f\u0131 vard\u0131r.
\nTELEV\u0130ZYON G\u00d6Z SAKIZIDIR<\/strong>
\n\u00c7ok \u00fcz\u00fcc\u00fc Soma facias\u0131 oldu, herkes programlar\u0131 yine seyrediyor. Hatay\u2019da patlama oldu, yine izlenme oranlar\u0131 y\u00fcksek. O insanlar\u0131 ele\u015ftirmemek laz\u0131m. Televizyon seyircisi \u015funu s\u00f6yl\u00fcyor; \u201cben sabah\u0131n 6\u2019s\u0131ndan itibaren bu hayat\u0131n sillesini zaten yiyorum. Televizyonu a\u00e7t\u0131\u011f\u0131mda beni rahatlat, a\u011flat ama bana bir hayal d\u00fcnyas\u0131 ya\u015fat.\u201d Yani televizyon asl\u0131nda g\u00f6z sak\u0131z\u0131d\u0131r.
\nLOST\u2019U BEN YAZSAM YAPIMCI \u201cADAYI NEREDEN BULACA\u011eIM, G\u0130T \u015e\u0130LE\u2019DE \u00c7EK\u201d DER<\/strong>
\nFilmstudio: \u00dclkemizde \u00f6zg\u00fcn senaryo yazma s\u0131k\u0131nt\u0131s\u0131 oldu\u011fu sizce do\u011fru mu? Sizce neden bizden bir \u201cLost\u201d \u00e7\u0131km\u0131yor?<\/strong>
\nBu c\u00fcmleyi meslekta\u015flar\u0131ma haks\u0131zl\u0131k olarak g\u00f6r\u00fcyorum. Ortaya \u00e7\u0131kan i\u015fler bu d\u00fc\u015f\u00fcnceyi besliyor. Lost\u2019u benim yazd\u0131\u011f\u0131m\u0131 d\u00fc\u015f\u00fcn\u00fcn. Yap\u0131mc\u0131 \u015funu diyecek; \u201cJack, Cenk, Sawyer, Seyfi, Kate, Kezban olsun, aday\u0131 u\u00e7a\u011f\u0131 bo\u015f ver. Seyfi k\u00f6y\u00fcn belal\u0131s\u0131 olsun, Cenk o k\u00f6ye gelen doktor olsun. Kezban da ikisinin aras\u0131nda kals\u0131n, bunun da ad\u0131 Kay\u0131p A\u015fk olsun. Aday\u0131 nereden bulay\u0131m, git \u015eile\u2019de \u00e7ek.\u201d
\nBizden bu y\u00fczden Lost \u00e7\u0131km\u0131yor. Yap\u0131mc\u0131y\u0131 su\u00e7lamamak laz\u0131m, o da kendince hakl\u0131.
\nSENARYO REYT\u0130NGE G\u00d6RE \u015eEK\u0130LLEN\u0130R<\/strong>
\nFilmstudio: Senaryo reytinge g\u00f6re mi \u015fekilleniyor?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> Evet, ister istemez \u00f6yle oluyor. Reyting d\u00fc\u015ferse ilk senaryoya m\u00fcdahale edilir. Kennedy; \u201cba\u015far\u0131lar\u0131n \u00e7ok babas\u0131 var, ba\u015far\u0131s\u0131zl\u0131k yetimdir\u201d der. Reyting iyiyse, oyuncular, y\u00f6netmen t\u00fcm ba\u015far\u0131y\u0131 al\u0131r, senarist g\u00f6r\u00fclmez ama reyting k\u00f6t\u00fc ise senarist su\u00e7lan\u0131r.
\nSEY\u0130RC\u0130N\u0130N TOKATI \u00c7OK SERTT\u0130R<\/strong>
\nFilmstudio: Karag\u00fcl\u2019\u00fcn reytingi d\u00fc\u015ferse ne yap\u0131yorsunuz?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> Allah g\u00f6stermesin. Neden, bizi izlemeyi b\u0131rakt\u0131lar? Bizim diziden ka\u00e7\u0131p, ba\u015fka diziye neden gittiler? Benim hik\u00e2yem s\u0131kt\u0131 m\u0131? Nerede hata yapt\u0131k? Bunlar\u0131 bulursan sorunu \u00e7\u00f6zersin. Bakt\u0131n\u0131z y\u00fcr\u00fcm\u00fcyor, karakter ya da hik\u00e2yeyi geriye \u00e7ekersiniz. Yan roller ba\u015frol olabilir. Reytingler 15\u2019er dakikal\u0131k geliyor, neyin daha \u00e7ok izlendi\u011fini g\u00f6r\u00fcyoruz. Rakip dizide de neler oldu\u011funa bakman laz\u0131m. Bu b\u00fcy\u00fck bir yar\u0131\u015f. Televizyon senaryosu esnek olmal\u0131, seyircinin tokad\u0131 \u00e7ok serttir, bir anda vurur.
\nSENAR\u0130ST CESET YARATIR, Y\u00d6NETMEN RUH VER\u0130R<\/strong>
\nFilmstudio: Sizin birtak\u0131m \u015feyler hayal ederek yazd\u0131\u011f\u0131n\u0131z senaryoyu y\u00f6netmen bamba\u015fka \u00e7ekebiliyor mu?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> Senaryo bitmi\u015f bir eser de\u011fildir. Y\u00f6netmenin estetik be\u011fenisine, alg\u0131s\u0131na, oyuncu y\u00f6netimine teslim etti\u011finiz bir \u015feydir. Eser sahibi y\u00f6netmendir. Senaryo mail kutusundan sete gidene kadar tanr\u0131s\u0131 biziz, sete gitti mi y\u00f6netmendir. Bizim y\u00f6netmen ile ili\u015fkimiz \u00e7ok iyi, haberle\u015firiz. \u0130leti\u015fim iyi kurulursa y\u00f6netmen istedi\u011fini yapmakta \u00f6zg\u00fcrd\u00fcr. Senaryoya oyuncu ve y\u00f6netmen birlikte ruh verir. Biz ceset yarat\u0131yoruz, y\u00f6netmen ruhunu verip aya\u011fa kald\u0131r\u0131yor.
\nT\u00dcRK S\u0130NEMASINDA REGA\u0130B KAND\u0130L\u0130 YOK, AMER\u0130KA\u2019DA K\u0130L\u0130SEN\u0130N OLMADI\u011eI SAHNE YOK<\/strong>
\nFilmstudio: S\u00f6yle\u015fi yapt\u0131\u011f\u0131m\u0131z herkese sordu\u011fumuz klasik sorumuzun cevab\u0131n\u0131 bir de ba\u015far\u0131l\u0131 bir senaristten almak isteriz: Hollywood ile neden yar\u0131\u015fam\u0131yoruz?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> D\u00fcnyaya uzayl\u0131 indi\u011fi zaman mutlaka New York\u2019a iner ve \u0130ngilizce konu\u015fur. Nev\u015fehir\u2019e inmi\u015f bir u\u00e7an daireden T\u00fcrk\u00e7e konu\u015fan biri \u00e7\u0131k\u0131nca millet \u201chadi be\u201d der. Bu bir alg\u0131 y\u00f6netimi. O yapt\u0131 ise \u00f6yledir diyoruz. Kuyunun dibindeki kurba\u011fa i\u00e7in g\u00f6ky\u00fcz\u00fc kuyunun a\u011fz\u0131 kadard\u0131r. T\u00fcrk sinemas\u0131nda \u00e7ok az namaz k\u0131lan, kurban kesen vard\u0131r. Bu t\u00fcr sahneleri biraz artt\u0131r\u0131rsan \u015feriat\u00e7\u0131 derler, oysa Amerika\u2019da kilisenin olmad\u0131\u011f\u0131 sahne yoktur. Amerikan filmlerinde mutlaka noel olur, ama bizim T\u00fcrk sinemas\u0131nda \u201cbug\u00fcn de Regaip kandili\u201d denilmez. Piyasay\u0131 onlar belirliyor, siz \u00f6yk\u00fcnen tarafta kal\u0131yorsunuz. Bu nedenle onlarla yar\u0131\u015fam\u0131yoruz.
\nKEND\u0130 H\u0130K\u00c2YEM\u0130Z\u0130 YAZARSAK B\u0130ZE OSCARI K\u0130LO \u0130LE VER\u0130RLER<\/strong>
\nFilmstudio: Oscar al\u0131r m\u0131y\u0131z? Bizden Oscar\u2019l\u0131k senaryolar \u00e7\u0131kar m\u0131?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> Neden \u00e7\u0131kmas\u0131n? Sadece kendi hik\u00e2yemizi d\u00fcr\u00fcst\u00e7e anlat\u0131rsak bize Oscar\u2019\u0131 kilo ile verirler. Bizde g\u00fczel hik\u00e2yeler \u00e7ok var. Onlara \u00f6yk\u00fcnmeyelim.
\nFilmstudio: Dizi ve film izlerken \u201cke\u015fke bunu ben yazsayd\u0131m\u201d dedi\u011finiz oluyor mu? Lost \u00f6rne\u011finden gidersek, \u00f6yle bir senaryo yazmak ister miydiniz?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> T\u00fcrk senaristi Lost seyredip, K\u0131nal\u0131 Kar yazmak zorunda olan \u015fizofrendir derim hep. Kendi be\u011fenilerimizi \u00e7ok fazla adapte edemiyoruz. Bizim haz duydu\u011fumuz alanlar ba\u015fka, yazd\u0131\u011f\u0131m\u0131z alanlar ba\u015fka. Kendi hik\u00e2yelerimizi anlatal\u0131m, Lost\u2019a \u00f6yk\u00fcnmeyelim.
\n\u00d6MR\u00dcM OLDUK\u00c7A KEND\u0130 H\u0130KAYELER\u0130M\u0130Z\u0130 YAZACA\u011eIM<\/strong>
\nBiz 600 y\u0131ll\u0131k bir Osmanl\u0131 \u0130mparatorlu\u011fu gibi muhte\u015fem bir co\u011frafyada ya\u015f\u0131yoruz ama bu tarihi do\u011fru d\u00fcr\u00fcst anlatan bir filmimiz yok. Bizim hala anlat\u0131lmam\u0131\u015f binlerce halk masal\u0131m\u0131z var. Hik\u00e2yelerimiz, alg\u0131lama bi\u00e7imimiz farkl\u0131. \u0130nan\u0131lmaz bir zenginli\u011fin \u00fcst\u00fcnde oturan bir \u00fclkeyiz, hep kafam\u0131z\u0131 \u00e7evirip onlara bakmaya devam ediyoruz, bakmayal\u0131m. Kendi zenginli\u011fimizi kullanam\u0131yoruz. \u00d6mr\u00fcm olduk\u00e7a ben bunlar\u0131 yazaca\u011f\u0131m.
\n\u015e\u00dcKR\u00dc AV\u015eAR OYUNCU KONUSUNDA NOKTA ATI\u015eI YAPAR<\/strong>
\nFilmstudio: Senaryoda karakterleri yazarken o karakteri kimin en iyi oynayaca\u011f\u0131n\u0131 hisseder misiniz?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> Oyuncu koklamay\u0131 ba\u015farabilen bir senarist de\u011filim. Yazarken akl\u0131mdan isimler ge\u00e7er ama o ayr\u0131 bir yetenek. Ezel dizisinde K\u0131van\u00e7 Tatl\u0131t\u0131u\u011f \u20188\u2019 diye bir karakter oynad\u0131. \u201cBehl\u00fcl\u2019den 8 mi olur?\u201d dedim, ama ta\u015f gibi oldu. Siz yazarken, oyunculu\u011fu ile sizi etkilemi\u015f isimler g\u00f6z\u00fcn\u00fczde canlan\u0131r. \u015e\u00fckr\u00fc Av\u015far bu konuda nokta at\u0131\u015f\u0131 yapan bir adamd\u0131r. <\/strong>Bu konuda \u00e7ok iyidir.
\nFilmstudio: Bir senaryoyu okudu\u011funuzda tutup tutmayaca\u011f\u0131n\u0131 \u00f6ng\u00f6rebiliyor musunuz?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> Hay\u0131r, \u00f6yle bir \u015fey diyen de yalan s\u00f6yl\u00fcyor. Bomba diziler bile patlay\u0131p gidiyor. Baz\u0131 i\u015fler yava\u015f yava\u015f y\u00fckselir, kanallar\u0131n biraz sab\u0131rl\u0131 olmas\u0131 gerekir. Arkas\u0131 yar\u0131nlar \u00f6yledir. Bizim Evin Halleri dizisini \u00f6rnek verebiliriz.
\n\u00d6ZG\u00dcVEN \u0130LE HAD B\u0130LMEZL\u0130K ARASINDA \u0130NCE B\u0130R \u00c7\u0130ZG\u0130 VAR<\/strong>
\nFilmstudio: Oyuncu se\u00e7iminde bulunur musunuz?<\/strong>
\nERKAN B\u0130RG\u00d6REN:<\/strong> Hay\u0131r. Oyuncu se\u00e7imini yap\u0131mc\u0131 ve y\u00f6netmene b\u0131rakmak laz\u0131m. \u00d6zg\u00fcven ile had bilmezlik aras\u0131nda \u00e7ok ince bir \u00e7izgi var. Ben haddimi bilirim. Oyuncuya kar\u0131\u015f, m\u00fczi\u011fe kar\u0131\u015f, y\u00f6netmene kar\u0131\u015f, olmaz. Ka\u011f\u0131t \u00fczerinde evren yaratmak benim i\u015fim.
\nYEN\u0130 BA\u015eLAYAN SENAR\u0130STE USTASINDAN TAVS\u0130YELER<\/strong>
\nSenaryo kitab\u0131 okuyarak senarist olunmaz.
\nSenarist olman\u0131n birinci kural\u0131; \u015fa\u015f\u0131rabilme yetene\u011finizi kaybetmemenizdir.
\n\u0130kinci kural, sosyoloji, tarih, psikoloji bilmektir.
\nYolda m\u00fczik dinlemeyin, hayat\u0131 dinleyin.
\n\u00d6\u011fle namaz\u0131 ka\u00e7 rek\u00e2t onu da bilin, eroin nas\u0131ld\u0131r onu da bilin.
\n\u00c7ok okuyun, \u00e7ok yaz\u0131n, \u00e7ok izleyin.
\nT\u00fcrkiye\u2019de herkesin iki mesle\u011fi var; biri ger\u00e7ek mesle\u011fi, di\u011feri senaristlik.
\n\u0130yi senarist kendi sahnesine k\u0131yabilendir. \u0130yi bir senaristin kaleminden \u00f6nce silgisi biter.
\n!<\/strong> Film Studio ile ilgili bas\u0131n b\u00fclteni veya daveti almak istemiyorsan\u0131z l\u00fctfen t\u0131klay\u0131n\u0131z.<\/a>
\n!<\/strong> bsnods.com<\/a> \u00fczerinden g\u00f6nderilen bas\u0131n b\u00fclteni\/daveti sekt\u00f6rel kategori ayarlar\u0131n\u0131z\u0131 yapmak ve bsnods.com<\/a> g\u00f6nderim listelerinden \u00e7\u0131kmak i\u00e7in l\u00fctfen t\u0131klay\u0131n\u0131z.<\/a>
\nBu e-posta BSNODS (atifunaldi e-posta adresi i\u00e7in g\u00f6nderilmi\u015ftir. E-postan\u0131n i\u00e7erdi\u011fi t\u00fcm metinler, bilgiler, g\u00f6rseller ve dosyalar e-postay\u0131 g\u00f6nderen firman\u0131n sorumlu\u011fundad\u0131r. Member: #4818633 CID: #198793:181941
\n\"ses_read_image.php?c=198793&m=4818633&chk=8296172b6c0a143cfc52f5398e39415c\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Ge\u00e7en sezonun iddeal\u0131 yap\u0131m\u0131 ve reyting rekortmeni Karag\u00fcl dizisinin senaristi Erkan Birg\u00f6ren sinema televizyon sekt\u00f6r\u00fcn\u00fcn ilk dijital dergisi Filmstudio\u2019nun d\u00f6rd\u00fcnc\u00fc say\u0131s\u0131nda senaristlik ve dizilerle alakal\u0131 \u00e7ok \u00f6nemli a\u00e7\u0131klamalar yapt\u0131. Birg\u00f6ren; T\u00fcrk senaristi \u201cLost\u201d izleyip \u201cK\u0131nal\u0131…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-11873","post","type-post","status-publish","format-standard","hentry","category-blogum"],"yoast_head":"\n\u200bLOST\u2019U BEN YAZSAM YAPIMCI \u201cADAYI NEREDEN BULACA\u011eIM, G\u0130T \u015e\u0130LE\u2019DE \u00c7EK\u201d DER - At\u0131f \u00dcnald\u0131<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atif.unaldi.org\/blog\/2014\/07\/09\/\u200blostu-ben-yazsam-yapimci-adayi-nereden-bulacagim-git-silede-cek-der\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u200bLOST\u2019U BEN YAZSAM YAPIMCI \u201cADAYI NEREDEN BULACA\u011eIM, G\u0130T \u015e\u0130LE\u2019DE \u00c7EK\u201d DER - At\u0131f \u00dcnald\u0131\" \/>\n<meta property=\"og:description\" content=\"Ge\u00e7en sezonun iddeal\u0131 yap\u0131m\u0131 ve reyting rekortmeni Karag\u00fcl dizisinin senaristi Erkan Birg\u00f6ren sinema televizyon sekt\u00f6r\u00fcn\u00fcn ilk dijital dergisi Filmstudio\u2019nun d\u00f6rd\u00fcnc\u00fc say\u0131s\u0131nda senaristlik ve dizilerle alakal\u0131 \u00e7ok \u00f6nemli a\u00e7\u0131klamalar yapt\u0131. 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