{"id":11916,"date":"2014-08-04T01:20:35","date_gmt":"2014-08-04T01:20:35","guid":{"rendered":"http:\/\/atifunaldi.wordpress.com\/?p=11916"},"modified":"2014-08-04T01:20:35","modified_gmt":"2014-08-04T01:20:35","slug":"ustun-yaraticiliga-sahip-kisilerde-gorulen-18-farkli-davranis-bicimi","status":"publish","type":"post","link":"https:\/\/atif.unaldi.org\/blog\/2014\/08\/04\/ustun-yaraticiliga-sahip-kisilerde-gorulen-18-farkli-davranis-bicimi\/","title":{"rendered":"\u00dcst\u00fcn yarat\u0131c\u0131l\u0131\u011fa sahip ki\u015filerde g\u00f6r\u00fclen 18 farkl\u0131 davran\u0131\u015f bi\u00e7imi"},"content":{"rendered":"

Yarat\u0131c\u0131l\u0131k, tuhaf ve genellikle de mant\u0131k d\u0131\u015f\u0131 g\u00f6r\u00fcnen bir \u015feydir. Yarat\u0131c\u0131 d\u00fc\u015f\u00fcnce bi\u00e7imi, baz\u0131 ki\u015filik t\u00fcrleri i\u00e7in sabit ve belirgin bir karakter \u00f6zelli\u011fidir. Ama duruma ve \u015fartlara g\u00f6re de de\u011fi\u015febilir. \u0130lham ve fikirler en beklenmedik anda birden bire zihnimizde belirebilir, ama onlara en \u00e7ok ihtiya\u00e7 duydu\u011fumuz zaman bir t\u00fcrl\u00fc ortaya \u00e7\u0131kmazlar. Yarat\u0131c\u0131 d\u00fc\u015f\u00fcnce \u00f6zel bir alg\u0131lama yetene\u011fi gerektirirse de, d\u00fc\u015f\u00fcnme sisteminden tamamen farkl\u0131d\u0131r.
\nN\u00f6rolojik bilim bug\u00fcn yarat\u0131c\u0131l\u0131kla ilgili \u00e7ok karma\u015f\u0131k bir foto\u011fraf ortaya koymaktad\u0131r. Bilim insanlar\u0131 art\u0131k yarat\u0131c\u0131l\u0131\u011f\u0131n sand\u0131\u011f\u0131m\u0131z gibi sa\u011f ve sol beyin farkl\u0131l\u0131\u011f\u0131yla (sol beyin = mant\u0131kl\u0131 ve analitik, sa\u011f beyin= yarat\u0131c\u0131 ve duygusal ) a\u00e7\u0131klanamayaca\u011f\u0131n\u0131 anlam\u0131\u015f bulunuyor. Ger\u00e7ekten de, yarat\u0131c\u0131l\u0131\u011f\u0131n bir dizi bili\u015fsel s\u00fcre\u00e7ler, sinirsel ak\u0131mlar ve duygular sonucu ortaya \u00e7\u0131kt\u0131\u011f\u0131 d\u00fc\u015f\u00fclmekte, ancak yarat\u0131c\u0131 zekan\u0131n nas\u0131l \u00e7al\u0131\u015ft\u0131\u011f\u0131 hakk\u0131nda hala net bir bilgimiz yok.
\nPsikolojik a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda da, yarat\u0131c\u0131 ki\u015filikleri belirlemek \u00e7ok zordur. Zira bu ki\u015filer genelde karma\u015f\u0131k ve \u00e7eli\u015fkili davran\u0131\u015flar sergiler ve al\u0131\u015fkanl\u0131klardan ya da rutin i\u015flevlerden uzak durmaya \u00e7al\u0131\u015f\u0131r. Bu sadece \u201cac\u0131 \u00e7eken sanat\u00e7\u0131\u201d \u015fablonu da de\u011fildir \u2013 sanat\u00e7\u0131lar belki de daha zor anla\u015f\u0131lan ki\u015filerdir. Yap\u0131lan ara\u015ft\u0131rmalar, yarat\u0131c\u0131l\u0131\u011f\u0131n karakter \u00f6zellikleri, davran\u0131\u015f bi\u00e7imleri ve sosyal etkilerin bir ki\u015fi \u00fczerinde birle\u015fmesiyle meydana geldi\u011fini ortaya koyuyor.
\nYarat\u0131c\u0131l\u0131k konusunda uzun y\u0131llardan beri \u00e7e\u015fitli ara\u015ft\u0131rmalar yapan New York \u00dcniversitesi Profes\u00f6rlerinden Scott Barry Kaufmann, Huntington Post\u2019la yapt\u0131\u011f\u0131 s\u00f6yle\u015fide \u201cAsl\u0131nda yarat\u0131c\u0131 ki\u015filerin kendi kendilerini anlayabilmeleri de \u00e7ok zordur. Zira yarat\u0131c\u0131 benlik yarat\u0131c\u0131 olmayan benlikten \u00e7ok daha karma\u015f\u0131kt\u0131r. En belirgin \u015fekilde ortaya \u00e7\u0131kan \u00f6zellikler, yarat\u0131c\u0131 benli\u011fin \u00e7eli\u015fkileri ve tutars\u0131zl\u0131klar\u0131d\u0131r\u2026. Hayal g\u00fcc\u00fc y\u00fcksek olan ki\u015filerin zihinleri daha karma\u015f\u0131kt\u0131r\u201d diyor.
\nYarat\u0131c\u0131 ki\u015fili\u011fin \u201ctipik\u201d bir tarifi olmasa da, \u00fcst\u00fcn yarat\u0131c\u0131l\u0131\u011fa sahip ki\u015filerde belli davran\u0131\u015flar ve karakter \u00f6zellikleri g\u00f6r\u00fcld\u00fc\u011f\u00fc kabul ediliyor. Bu ki\u015filerde g\u00f6r\u00fclen 18 farkl\u0131 davran\u0131\u015f bi\u00e7imi a\u015fa\u011f\u0131da yer al\u0131yor:
\nHayal Kurarlar.
\nYarat\u0131c\u0131 tipler, ilkokul \u00f6\u011fretmenlerinden duyduklar\u0131n\u0131n aksine, hayal kurman\u0131n bo\u015fa zaman harcamak olmad\u0131\u011f\u0131n\u0131 bilirler.
\nKaufman ve \u201cOlumlu ve Yap\u0131c\u0131 Hayal Kurma\u2019ya \u00d6vg\u00fc\u201d adl\u0131 makalenin e\u015f yazar\u0131 psikolog Rebecca L. McMillan\u2019a g\u00f6re, d\u00fc\u015f\u00fcnceler aras\u0131nda gezinmek, yarat\u0131c\u0131l\u0131\u011f\u0131n \u201ckulu\u00e7ka s\u00fcrecini\u201d destekliyor. Zaten bizler de en iyi fikirlerimizin, akl\u0131m\u0131z bamba\u015fka yerlerde gezinirken birden bire ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 biliriz.
\nHayal kurmak her ne kadar d\u00fc\u015f\u00fcnmek anlam\u0131na gelmez gibi g\u00f6r\u00fcnse de, 2012 y\u0131l\u0131nda yap\u0131lan bir ara\u015ft\u0131rma, bunun \u00e7ok yo\u011fun bir zihin faaliyeti oldu\u011funu ileri s\u00fcr\u00fcyor \u2013 zira hayal kurma s\u0131ras\u0131nda olaylar\u0131n ba\u011flant\u0131lar\u0131 birden bire fark edilebiliyor ve i\u00e7 g\u00f6r\u00fc artabiliyor. N\u00f6rologlar ayr\u0131ca hayal kurman\u0131n, imgeleme ve yarat\u0131c\u0131l\u0131kla ayn\u0131 beyin i\u015flevlerini i\u00e7erdi\u011fi sonucuna ula\u015fm\u0131\u015f bulunuyor.
\nHer \u015feyi g\u00f6zlemlerler.
\nD\u00fcnya yarat\u0131c\u0131 bir ki\u015finin istiridyesidir \u2013 bulunduklar\u0131 her yerde f\u0131rsatlar g\u00f6r\u00fcrler ve yarat\u0131c\u0131 bir ifadeyi besleyebilecek t\u00fcm bilgileri \u00f6z\u00fcmserler. Henry James\u2019in belirtti\u011fi gibi, \u201cBir yazar, hi\u00e7bir \u015feyin kaybolmas\u0131na izin vermez\u201d. Yazar Joan Didion yan\u0131nda her zaman bir not defteri ta\u015f\u0131rd\u0131. Ki\u015filer ve olaylarla ilgili g\u00f6zlemlerini bu deftere yazd\u0131\u011f\u0131n\u0131 ve sonu\u00e7ta kendi zihnindeki karma\u015fa ve z\u0131tl\u0131klar\u0131 daha iyi anlayabildi\u011fini s\u00f6ylerdi.
\nDidion \u201cNot Defteri Tutmak\u201d konulu makalesinde \u201c\u00c7evremizde g\u00f6rd\u00fc\u011f\u00fcm\u00fcz \u015feyleri ne kadar dikkatle kaydedersek, g\u00f6rd\u00fc\u011f\u00fcm\u00fcz her \u015feyin ortak paydas\u0131 kendi benli\u011fimizin \u015feffaf, utan\u00e7 duyulacak ve ac\u0131mas\u0131z bir yans\u0131mas\u0131 olur\u201d diyor. \u201cBu kay\u0131tlar, \u00f6zel bir duyguyu, zihnin kullan\u0131lamayacak kadar k\u00fc\u00e7\u00fck ba\u011flant\u0131lar\u0131n\u0131, sadece kay\u0131t d\u00fc\u015fen ki\u015fiye bir anlam ifade eden geli\u015fi g\u00fczel ve karma\u015f\u0131k bir d\u00fc\u015f\u00fcnceler k\u00fcmesini yans\u0131t\u0131r.\u201d
\nKendileri i\u00e7in uygun olan saatlerde \u00e7al\u0131\u015f\u0131rlar.
\nB\u00fcy\u00fck sanat\u00e7\u0131lar\u0131n bir\u00e7o\u011fu en verimli \u00e7al\u0131\u015fmalar\u0131n\u0131 sabah \u00e7ok erken ya da gecenin ge\u00e7 saatlerinde yapt\u0131klar\u0131n\u0131 s\u00f6ylerler. Vladimir Nabokov, sabah 6 veya 7\u2019de uyan\u0131r uyanmaz yazmaya ba\u015flard\u0131. Frank Lloyd Wright da sabaha kar\u015f\u0131 saat 3 veya 4\u2019te uyan\u0131p birka\u00e7 saat \u00e7al\u0131\u015ft\u0131ktan sonra tekrar yatard\u0131. Ne zaman oldu\u011fu hi\u00e7 \u00f6nemli de\u011fil, yarat\u0131c\u0131 \u00e7al\u0131\u015fmalar\u0131 olan ki\u015filer, zihinlerinin hangi saatlerde en verimli \u015fekilde \u00e7al\u0131\u015fmaya ba\u015flad\u0131\u011f\u0131n\u0131 bilirler ve g\u00fcnlerini ona g\u00f6re planlarlar.
\n\u201cYarat\u0131c\u0131 fikirlere a\u00e7\u0131k olabilmek i\u00e7in, yaln\u0131zl\u0131\u011f\u0131 yap\u0131c\u0131 bir \u015fekilde kullanabilmeli, yaln\u0131z kalma korkusunu yenmelisiniz\u201d diyor Amerikal\u0131 varolu\u015f psikolo\u011fu Rollo May..
\nSanat\u00e7\u0131lar ve yarat\u0131c\u0131 ki\u015filerin hep yaln\u0131zl\u0131ktan ho\u015fland\u0131\u011f\u0131 d\u00fc\u015f\u00fcn\u00fcl\u00fcr. Bu her zaman do\u011fru olmasa da, yaln\u0131zl\u0131k en iyi eserlerini yaratmalar\u0131 i\u00e7in \u00f6nemli bir unsur olabilir. Kaufman bunu yine hayal kurmaya ba\u011fl\u0131yor \u2013 ve zihnimizin \u00f6zg\u00fcr bir \u015fekilde dola\u015fabilmesi i\u00e7in kendimize yaln\u0131z kalabilece\u011fimiz bir zaman yaratmam\u0131z gerekti\u011fini belirtiyor. \u201c\u0130\u00e7inizdeki sesi d\u0131\u015fa vurabilmek i\u00e7in, onunla ileti\u015fime ge\u00e7ebilmelisiniz. E\u011fer kendinizle ileti\u015fim kuramaz ve kendinizi yans\u0131tamazsan\u0131z, o yarat\u0131c\u0131 i\u00e7 sesi bulman\u0131z \u00e7ok zordur\u201d diyor.
\nYa\u015famdaki engelleri tersine \u00e7evirirler.
\nT\u00fcm zamanlar\u0131n en fazla iz b\u0131rakm\u0131\u015f hikayeleri ve \u015fark\u0131lar\u0131 y\u00fcrek burkan ac\u0131lardan ve kalp k\u0131r\u0131kl\u0131klar\u0131ndan do\u011fmu\u015ftur \u2026 bu \u00fcz\u00fcnt\u00fclerin olumlu y\u00f6n\u00fc ise, b\u00fcy\u00fck bir sanat eserinin yarat\u0131lmas\u0131na yol a\u00e7m\u0131\u015f olmalar\u0131d\u0131r. Psikolojinin \u201cTravma sonras\u0131 geli\u015fim\u201d ad\u0131 verilen yeni alan\u0131nda, bir\u00e7ok ki\u015finin ya\u015fad\u0131\u011f\u0131 zorluklar\u0131 ve erken ya\u015ftaki travmalar\u0131 yarat\u0131c\u0131l\u0131klar\u0131n\u0131 \u00f6nemli \u00f6l\u00e7\u00fcde geli\u015ftirmek i\u00e7in kullanabildikleri ileri s\u00fcr\u00fcl\u00fcyor. Ara\u015ft\u0131rmac\u0131lar travmalar\u0131n \u00f6zellikle insan ili\u015fkileri, maneviyat, ya\u015fam sevinci, ki\u015fisel g\u00fc\u00e7 ve \u2014 hepsinden \u00f6nemlisi yarat\u0131c\u0131l\u0131k konusunda geli\u015fmelerine ve hayatta yeni f\u0131rsatlar g\u00f6rebilmelerine neden oldu\u011funu belirlemi\u015fler.
\nKaufman \u201cBir\u00e7ok ki\u015fi bu t\u00fcr travmalar\u0131 ger\u00e7e\u011fi farkl\u0131 bir perspektifle g\u00f6rebilmek i\u00e7in ihtiya\u00e7 duyduklar\u0131 bir g\u00fc\u00e7 olarak kullanabiliyor\u201d diyor. \u201cHayatlar\u0131n\u0131n bir noktas\u0131nda bir travma ya\u015fad\u0131klar\u0131nda, d\u00fcnyan\u0131n g\u00fcvenli veya ko\u015fullar\u0131 belirlenmi\u015f bir yer oldu\u011fu \u015feklindeki g\u00f6r\u00fc\u015fleri yerle bir oluyor ve o andan sonra t\u00fcm s\u0131n\u0131rlar\u0131 a\u015farak her \u015feyi yepyeni ve farkl\u0131 bir g\u00f6zle de\u011ferlendiriyorlar \u2013 bu da yarat\u0131c\u0131l\u0131\u011f\u0131 m\u00fcthi\u015f destekleyen \u00e7ok olumlu bir \u015fey.\u201d
\nS\u00fcrekli yeni deneyimler pe\u015finde ko\u015farlar.
\nYarat\u0131c\u0131 ki\u015filer yeni deneyimler ve de\u011fi\u015fik duygular ya\u015famay\u0131 severler. Bu da yarat\u0131c\u0131 \u00fcretkenli\u011fe yol a\u00e7an \u00f6nemli bir \u00f6ng\u00f6r\u00fc kazanmalar\u0131n\u0131 sa\u011flar.
\n\u201cYeni deneyimlere a\u00e7\u0131k olmak, yarat\u0131c\u0131 ba\u015far\u0131n\u0131n en \u00f6nemli yap\u0131 ta\u015f\u0131d\u0131r\u201d diyor Kaufman. \u201cBu \u00f6zelli\u011fin de\u011fi\u015fik bilgiler edinmek, heyecan merak\u0131, farkl\u0131 duygular ya\u015famak, hayallere a\u00e7\u0131k olmak gibi pek \u00e7ok y\u00fcz\u00fc olsa da, hepsi birbiriyle ba\u011flant\u0131l\u0131d\u0131r. Hepsinin ortak noktas\u0131, hem i\u00e7 \u2013 hem de d\u0131\u015f d\u00fcnyan\u0131z\u0131 zihinsel ve davran\u0131\u015fsal a\u00e7\u0131dan ke\u015ffetmek arzusudur.\u201d
\nYenilgiden korkmazlar.
\nYarat\u0131c\u0131 ba\u015far\u0131n\u0131n \u00f6n ko\u015fulu diren\u00e7li ve esnek olmakt\u0131r. Yarat\u0131c\u0131 bir \u015feyi ortaya koyabilmek i\u00e7in, tekrarlayan ba\u015far\u0131s\u0131zl\u0131klara ald\u0131rmay\u0131p, y\u0131lmadan denemek gerekir. Yarat\u0131c\u0131 ki\u015filer \u2013 en az\u0131ndan ba\u015far\u0131ya ula\u015fm\u0131\u015f olanlar \u2013 ba\u015far\u0131s\u0131zl\u0131\u011f\u0131 ki\u015fisel olarak almamay\u0131 \u00f6\u011frenmi\u015flerdir. Steve Kotler, Einstein\u2019\u0131n yarat\u0131c\u0131 dehas\u0131 ile ilgili bir makalesinde \u201cYarat\u0131c\u0131 ki\u015filer ba\u015far\u0131s\u0131z olur ve ger\u00e7ekten yarat\u0131c\u0131 olanlar \u00e7ok s\u0131k ba\u015far\u0131s\u0131z olur\u201d diyor.
\nHer \u015feyi sorgularlar.
\nYarat\u0131c\u0131 ki\u015filerin doymaz bir merak\u0131 vard\u0131r \u2013 genelde kan\u0131tlanm\u0131\u015f ko\u015fullarda ya\u015famay\u0131 tercih ederler. Hatta ya\u015fland\u0131ktan sonra bile ya\u015famla ilgili meraklar\u0131 devam eder. Bazen yo\u011fun tart\u0131\u015fmalar \u015feklinde, bazen de tek ba\u015f\u0131na d\u00fc\u015f\u00fcncelere dalarak \u00e7evrelerindeki d\u00fcnyay\u0131 s\u00fcrekli incelerler ve her \u015feyi neden ve nas\u0131l diye sorgularlar.
\n\u0130nsanlar\u0131 g\u00f6zlemlerler.
\nDo\u011fu\u015ftan g\u00f6zlemci olan ve ba\u015fkalar\u0131n\u0131n hayat\u0131n\u0131 merak eden yarat\u0131c\u0131 ki\u015filer genellikle insanlar\u0131 g\u00f6zlemlemekten ho\u015flan\u0131r \u2013 ve bazen en iyi fikirlerini b\u00f6yle geli\u015ftirirler.
\n\u201c[Marcel] Proust hemen hemen t\u00fcm ya\u015fam\u0131n\u0131 insanlar\u0131 g\u00f6zlemlemekle ge\u00e7irmi\u015f, g\u00f6zlemlerini s\u00fcrekli not etmi\u015f ve bu notlar zaman i\u00e7erisinde kitaplar\u0131na yans\u0131m\u0131\u015ft\u0131r\u201c diyor Kaufman. \u201cBir\u00e7ok yazar i\u00e7in insanlar\u0131 g\u00f6zlemlemek \u00e7ok \u00f6nemlidir\u2026 Bu ki\u015filer insan do\u011fas\u0131n\u0131n tutkulu izleyicileridir.\u201d
\nRisk al\u0131rlar.
\nYarat\u0131c\u0131 \u00e7al\u0131\u015fman\u0131n en \u00f6nemli unsurlar\u0131ndan biri risk almakt\u0131r. Yarat\u0131c\u0131 ki\u015filerin \u00e7o\u011fu da ya\u015famlar\u0131n\u0131n \u00e7e\u015fitli alanlar\u0131nda ald\u0131klar\u0131 risklerden beslenir.
\nSteven Kotler Forbes\u2019a yazd\u0131\u011f\u0131 bir yaz\u0131s\u0131nda \u201cRisk almakla yarat\u0131c\u0131l\u0131k aras\u0131nda derin ve anlaml\u0131 bir ba\u011flant\u0131 vard\u0131r ve bu ba\u011flant\u0131 genellikle g\u00f6zden ka\u00e7ar\u201d diyor. Yarat\u0131c\u0131l\u0131k hi\u00e7 yoktan bir \u015fey yaratma sanat\u0131d\u0131r. Hayal g\u00fcc\u00fc taraf\u0131ndan ileri s\u00fcr\u00fclen iddialar\u0131 t\u00fcm d\u00fcnyaya a\u00e7abilmeyi gerektirir. \u00dcrkek ve \u00e7ekingen ki\u015filere g\u00f6re bir i\u015f de\u011fildir. Zaman\u0131n bo\u015fa gitmesi, itibar\u0131n zedelenmesi, paran\u0131n ziyan olmas\u0131\u2026 t\u00fcm bunlar ters giden yarat\u0131c\u0131l\u0131\u011f\u0131n yan \u00fcr\u00fcnleridir.
\nT\u00fcm ya\u015fam\u0131 kendilerini ifade etmek i\u00e7in bir f\u0131rsat olarak g\u00f6r\u00fcrler.
\nNietzsche, insan ya\u015fam\u0131n\u0131n ve d\u00fcnyan\u0131n bir sanat eseri olarak g\u00f6r\u00fclmesi gerekti\u011fine inan\u0131rd\u0131. Yarat\u0131c\u0131 ki\u015filer de d\u00fcnyay\u0131 ger\u00e7ekten bu \u015fekilde g\u00f6rmeye ve g\u00fcnl\u00fck hayat\u0131n i\u00e7inde s\u00fcrekli olarak kendilerini ifade edebilecekleri f\u0131rsatlar\u0131 aramaya daha yatk\u0131n olabilirler.
\n\u201cYarat\u0131c\u0131 ifade, kendini ifade etmektir,\u201d diyor Kaufman. \u201cYarat\u0131c\u0131l\u0131k, asl\u0131nda ihtiya\u00e7lar\u0131n\u0131z\u0131n, arzular\u0131n\u0131z\u0131n ve \u00f6zg\u00fcn benli\u011finizin ki\u015fisel bir ifadesi olmaktan ba\u015fka bir \u015fey de\u011fildir.\u201d
\nGer\u00e7ek tutkular\u0131n\u0131n pe\u015finden giderler.
\nYarat\u0131c\u0131 ki\u015filer do\u011fal bir motivasyona sahiptir\u2014 yani onlar d\u0131\u015far\u0131dan elde edilecek bir \u00f6d\u00fcl veya onay kazanmak i\u00e7in de\u011fil, kendi i\u00e7lerinden gelen do\u011fal bir istekle hareket ederler. Psikologlar, zorlu ko\u015fullar\u0131n yarat\u0131c\u0131 ki\u015fileri motive etti\u011fini ileri s\u00fcr\u00fcyor ki, bu da i\u00e7sel motivasyonun bir i\u015faretidir. Yap\u0131lan ara\u015ft\u0131rmalar da, bir i\u015fe giri\u015fmek i\u00e7in sadece i\u00e7sel nedenleri d\u00fc\u015f\u00fcnmenin bile yarat\u0131c\u0131l\u0131\u011f\u0131 artt\u0131rd\u0131\u011f\u0131n\u0131 g\u00f6steriyor.
\nM.A. Collins ve T.M. Amabile\u2019\u0131n \u201cYarat\u0131c\u0131l\u0131\u011f\u0131n Rehberi\u201d adl\u0131 eserlerinde belirttikleri gibi, \u201c\u00dcst\u00fcn yarat\u0131c\u0131 ki\u015filer, zorlu ve riskli problemlerle u\u011fra\u015fmaktan b\u00fcy\u00fck zevk al\u0131r. Zira bu onlarda yeteneklerini kullanabilmekten kaynaklanan bir g\u00fc\u00e7l\u00fcl\u00fck duygusu yarat\u0131r.\u201d
\nZihinlerini silerler.
\nKaufman, hayal kurman\u0131n bir ba\u015fka yarar\u0131n\u0131n da kendimizi s\u0131n\u0131rl\u0131 bak\u0131\u015f a\u00e7\u0131m\u0131zdan kurtarmas\u0131 ve farkl\u0131 d\u00fc\u015f\u00fcnce tarzlar\u0131n\u0131 ara\u015ft\u0131rmam\u0131za yard\u0131mc\u0131 olmas\u0131d\u0131r. Bu da yarat\u0131c\u0131l\u0131k i\u00e7in \u00f6nemli bir unsur olabilir.
\n\u201cHayal kurmak, evrim ge\u00e7irdi ve art\u0131k ya\u015fad\u0131\u011f\u0131m\u0131z an\u0131 unutmam\u0131za yard\u0131mc\u0131 olan bir ara\u00e7 haline geldi\u201d diyor Kaufman. \u201c Beynimizin hayal kurmayla ba\u011flant\u0131l\u0131 olan d\u00fc\u015f\u00fcnce a\u011f\u0131, zihin teorisiyle ba\u011flant\u0131l\u0131 olan d\u00fc\u015f\u00fcnce a\u011f\u0131yla ayn\u0131 \u2013 ben buna \u2018hayal kurman\u0131n d\u00fc\u015f\u00fcnce a\u011f\u0131\u2019 diyorum. Bu tarz d\u00fc\u015f\u00fcnce sadece gelecekteki kendinizi hayal etmenizi sa\u011flamakla kalmaz, ayn\u0131 zamanda ba\u015fkas\u0131n\u0131n da ne d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fc hayal etmenize yard\u0131mc\u0131 olur.\u201d
\nYap\u0131lan ara\u015ft\u0131rmalar ayr\u0131ca \u201cpsikolojik mesafe\u201d koyman\u0131n \u2013 yani olaylara bir ba\u015fka ki\u015finin bak\u0131\u015f a\u00e7\u0131s\u0131yla bakman\u0131n veya bir sorun hakk\u0131nda sanki ger\u00e7ek de\u011filmi\u015f veya bilmedi\u011finiz bir \u015feymi\u015f gibi d\u00fc\u015f\u00fcnmenin yarat\u0131c\u0131 d\u00fc\u015f\u00fcnceyi destekledi\u011fini ortaya koyuyor.
\nZaman kavram\u0131n\u0131 unuturlar.
\nYarat\u0131c\u0131 ki\u015filer, yaz\u0131 yazarken, dans ederken, resim yaparken veya kendilerini ba\u015fka bir \u015fekilde ifade ederken, transa girmek diye bilinen ve yarat\u0131c\u0131l\u0131klar\u0131n\u0131 en \u00fcst d\u00fczeye \u00e7\u0131kartan \u201cba\u015fka bir boyuta\u201d ge\u00e7tiklerini g\u00f6rebilirler.
\nTrans durumundaki biri, bilin\u00e7li d\u00fc\u015f\u00fcnce halinin \u00f6tesine ge\u00e7erek \u00e7abas\u0131z bir konsantrasyon d\u00fczeyine ve sakinli\u011fe ula\u015f\u0131r. Ki\u015fi bu durumdayken, i\u00e7eriden veya d\u0131\u015far\u0131dan gelebilecek t\u00fcm bask\u0131lara ve dikkatini da\u011f\u0131tarak performans\u0131n\u0131 etkileyebilecek her \u015feye kar\u015f\u0131 duyars\u0131z olur.
\nTrans durumuna, zevk ald\u0131\u011f\u0131n\u0131z, \u00e7ok iyi yapt\u0131\u011f\u0131n\u0131z, ama ayn\u0131 zamanda \u2013 her iyi yarat\u0131c\u0131 projede oldu\u011fu gibi \u2013 sizi zorlayan bir faaliyet s\u0131ras\u0131nda girersiniz.
\n\u201cYarat\u0131c\u0131 ki\u015filer, ne yapmaktan zevk ald\u0131klar\u0131n\u0131 bilirler \u2013 ve ayn\u0131 zamanda o i\u015fi yaparken trans durumuna girme becerisini de kazanm\u0131\u015flard\u0131r\u201d diyor Kaufman. \u201cTrans durumu, becerilerinizle yapmakta oldu\u011funuz faaliyet aras\u0131nda bir uyum olmas\u0131n\u0131 gerektirir.\u201d
\nKendilerini g\u00fczelliklerle \u00e7evrelerler.
\nYarat\u0131c\u0131 ki\u015filer genelde \u00e7ok zevkli olurlar. Bu nedenle de \u00e7evrelerinin g\u00fczelliklerle dolu olmas\u0131ndan ho\u015flan\u0131rlar.
\nEstetik, Yarat\u0131c\u0131l\u0131k ve Sanat\u0131n Psikolojisi (Psychology of Aesthetics, Creativity, and the Arts) adl\u0131 dergide yay\u0131nlanan bir ara\u015ft\u0131rma, orkestra m\u00fczisyenleri, m\u00fczik \u00f6\u011fretmenleri ve solistler de dahil olmak \u00fczere m\u00fczikle u\u011fra\u015fan ki\u015filerin sanatsal g\u00fczelli\u011fe kar\u015f\u0131 y\u00fcksek bir duyarl\u0131l\u0131k ve ilgi g\u00f6sterdiklerini ortaya koyuyor.
\nNoktalar\u0131 birle\u015ftirirler.
\nY\u00fcksek yarat\u0131c\u0131l\u0131\u011fa sahip ki\u015fileri di\u011ferlerinden ay\u0131ran bir \u00f6zellik varsa, o da ba\u015fkalar\u0131n\u0131n g\u00f6remedikleri f\u0131rsatlar\u0131 g\u00f6rme yetenekleridir \u2013 veya bir ba\u015fka deyi\u015fle vizyonlar\u0131d\u0131r. Bir\u00e7ok b\u00fcy\u00fck sanat\u00e7\u0131 ve yazar, yarat\u0131c\u0131l\u0131\u011f\u0131n ba\u015fkalar\u0131n\u0131n birle\u015ftirmeyi d\u00fc\u015f\u00fcnemedikleri noktalar\u0131 birle\u015ftirme yetene\u011fi oldu\u011funu s\u00f6yler.
\nSteve Jobs \u015f\u00f6yle diyordu:
\n\u201cYarat\u0131c\u0131l\u0131k sadece noktalar\u0131 birle\u015ftirebilmektir. Yarat\u0131c\u0131 ki\u015filere bir \u015feyi nas\u0131l yapt\u0131klar\u0131n\u0131 sorarsan\u0131z, biraz utanacaklard\u0131r. Zira onlar asl\u0131nda bir \u015fey yapmam\u0131\u015f, sadece ortada olan bir \u015feyi g\u00f6rm\u00fc\u015flerdir. Bir s\u00fcre sonra bu onlar i\u00e7in do\u011fal bir \u015fey olmu\u015ftur. Ya\u015fad\u0131klar\u0131 deneyimleri birle\u015ftirmeyi ba\u015farm\u0131\u015flar ve yeni \u015feyler olu\u015fturmu\u015flard\u0131r.\u201d
\nS\u00fcrekli bir \u015feyleri y\u0131k\u0131p de\u011fi\u015ftirirler.
\nKaufman, farkl\u0131 deneyimlerin yarat\u0131c\u0131l\u0131k i\u00e7in her \u015feyden daha \u00f6nemli oldu\u011funu s\u00f6yl\u00fcyor. Yarat\u0131c\u0131 ki\u015filer bir \u015feyleri y\u0131k\u0131p de\u011fi\u015ftirmekten, yeni \u015feyler denemekten ho\u015flan\u0131r ve hayat\u0131 monoton veya s\u0131radan yapan her \u015feyden ka\u00e7\u0131n\u0131rlar.
\n\u201cYarat\u0131c\u0131 ki\u015filerin \u00e7ok \u00e7e\u015fitli deneyimleri vard\u0131r. Al\u0131\u015fkanl\u0131klar ise farkl\u0131 deneyimler edinmeyi imkans\u0131z k\u0131lar\u201d diyor Kaufman.
\nFark\u0131ndal\u0131k i\u00e7in zaman ay\u0131r\u0131rlar.
\nYarat\u0131c\u0131 ki\u015filer net ve odaklanm\u0131\u015f bir zihnin de\u011ferini bilirler \u2013 zira yarat\u0131c\u0131l\u0131klar\u0131 buna ba\u011fl\u0131d\u0131r. Bir\u00e7ok sanat\u00e7\u0131, giri\u015fimci, yazar ve David Lynch gibi di\u011fer yarat\u0131c\u0131 ki\u015filer, en yarat\u0131c\u0131 d\u00fc\u015f\u00fcnce d\u00fczeyine ula\u015fabilmek i\u00e7in meditasyonu bir ara\u00e7 olarak se\u00e7mi\u015flerdir.
\nFark\u0131ndal\u0131\u011f\u0131n beyin g\u00fcc\u00fcn\u00fc bir\u00e7ok a\u00e7\u0131dan artt\u0131rd\u0131\u011f\u0131 g\u00f6r\u00fc\u015f\u00fc bilimsel olarak da destekleniyor. 2012 y\u0131l\u0131nda Hollanda\u2019da yap\u0131lan bir ara\u015ft\u0131rma, belli meditasyon tekniklerinin yarat\u0131c\u0131 d\u00fc\u015f\u00fcnceyi destekleyebilece\u011fini ortaya koyuyor. Fark\u0131ndal\u0131k uygulamalar\u0131 haf\u0131za ve odaklanmay\u0131 g\u00fc\u00e7lendirdi\u011fi gibi, ayn\u0131 zamanda stres ve heyecan\u0131 azalt\u0131yor, duygusal durumu iyile\u015ftiriyor ve zihinde netlik sa\u011fl\u0131yor \u2013 bunlar\u0131n hepsi de yarat\u0131c\u0131 d\u00fc\u015f\u00fcnceyi destekleyebilen unsurlar.
\nKaynak: Huffington Post<\/p>\n","protected":false},"excerpt":{"rendered":"

Yarat\u0131c\u0131l\u0131k, tuhaf ve genellikle de mant\u0131k d\u0131\u015f\u0131 g\u00f6r\u00fcnen bir \u015feydir. Yarat\u0131c\u0131 d\u00fc\u015f\u00fcnce bi\u00e7imi, baz\u0131 ki\u015filik t\u00fcrleri i\u00e7in sabit ve belirgin bir karakter \u00f6zelli\u011fidir. Ama duruma ve \u015fartlara g\u00f6re de de\u011fi\u015febilir. \u0130lham ve fikirler en beklenmedik…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-11916","post","type-post","status-publish","format-standard","hentry","category-blogum"],"yoast_head":"\n\u00dcst\u00fcn yarat\u0131c\u0131l\u0131\u011fa sahip ki\u015filerde g\u00f6r\u00fclen 18 farkl\u0131 davran\u0131\u015f bi\u00e7imi - At\u0131f \u00dcnald\u0131<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atif.unaldi.org\/blog\/2014\/08\/04\/ustun-yaraticiliga-sahip-kisilerde-gorulen-18-farkli-davranis-bicimi\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00dcst\u00fcn yarat\u0131c\u0131l\u0131\u011fa sahip ki\u015filerde g\u00f6r\u00fclen 18 farkl\u0131 davran\u0131\u015f bi\u00e7imi - At\u0131f \u00dcnald\u0131\" \/>\n<meta property=\"og:description\" content=\"Yarat\u0131c\u0131l\u0131k, tuhaf ve genellikle de mant\u0131k d\u0131\u015f\u0131 g\u00f6r\u00fcnen bir \u015feydir. Yarat\u0131c\u0131 d\u00fc\u015f\u00fcnce bi\u00e7imi, baz\u0131 ki\u015filik t\u00fcrleri i\u00e7in sabit ve belirgin bir karakter \u00f6zelli\u011fidir. 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