Borusan Contemporary, yine ses getirecek ilgin\u00e7 bir sergiyi sanatseverlerle bulu\u015fturuyor. K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Benjamin Weil’in yapt\u0131\u011f\u0131 "Datascape" adl\u0131 sergide, teknolojinin, ger\u00e7ekli\u011fi nas\u0131l d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fc, d\u00fcnyaya ve manzaralara bak\u0131\u015f\u0131m\u0131z\u0131 nas\u0131l de\u011fi\u015ftirdi\u011fi sorgulan\u0131yor. \u00c7\u0131plak g\u00f6zle g\u00f6rebildi\u011fimizin \u00f6tesindeki ger\u00e7eklikleri, olup bitenleri irdeleyen "Datascape" sergisinde Burak Ar\u0131kan, Angela Bulloch, David Claerbout, Ryoji Ikeda, MichaelNajjar, Enrique Radigales, Thomas Ruff, Karin Sander, Charles Sandison ve Pablo Valbuena adl\u0131 sanat\u00e7\u0131lar\u0131n eserleri yer alacak. Datascape, 27 Nisan-1 Eyl\u00fcl 2013 tarihleri aras\u0131nda a\u00e7\u0131k kalacak.<\/p>\n
G\u00f6rd\u00fc\u011f\u00fcn\u00fcz\u00fcn \u00d6tesinde<\/p>\n
Ressamlar y\u00fczy\u0131llard\u0131r manzaralar\u0131 arka plan olarak kulland\u0131lar veya yapt\u0131klar\u0131 \u00e7al\u0131\u015fmalarda konu ettiler. Bu sergide yer alan sanat\u00e7\u0131lar da ger\u00e7ek ya da hayali \u00e7evrelerini resmetme gelene\u011fini s\u00fcrd\u00fcr\u00fcyor. Bunu yaparken de d\u00fcnyay\u0131 alg\u0131lama \u015feklimizi de\u011fi\u015ftiren girift g\u00f6rseller ve geli\u015ftirilmi\u015f veriler \u00fczerine derinlikli olarak d\u00fc\u015f\u00fcn\u00fcyorlar. Her sanat\u00e7\u0131 farkl\u0131 bir yakla\u015f\u0131m sergilerken, teknolojinin manzaraya bak\u0131\u015f\u0131m\u0131z\u0131 de\u011fi\u015ftiren boyutlar\u0131n\u0131 ortaya koyuyor.<\/p>\n
G\u00fcn\u00fcm\u00fczde peyzaj, giderek manzaraya benzeyen say\u0131s\u0131z ekran\u0131n (ak\u0131ll\u0131 telefon, bilgisayar, vb.) ara y\u00fczlerinin birle\u015fimine d\u00f6n\u00fc\u015ft\u00fc. Do\u011fa, h\u00e2lihaz\u0131rda var olana ek olarak insanlar taraf\u0131ndan sonradan \u00fcretilenlerin de bir bile\u015fimidir. Dolay\u0131s\u0131yla art\u0131k \u00e7\u0131plak g\u00f6zle g\u00f6r\u00fcnenin \u00f6tesine ge\u00e7mek, "g\u00f6rd\u00fc\u011f\u00fcn\u00fcz\u00fcn \u00f6tesindeki ger\u00e7ekleri" g\u00f6rmek zaman\u0131 geldi. Manzaray\u0131 varolu\u015fsal ba\u011flamda kavrayabilir, bu sayede do\u011fa ve bilgiyi de tekrar g\u00f6zden ge\u00e7irebiliriz. Bu noktada kar\u015f\u0131m\u0131za \u00e7\u0131kan \u201cgeli\u015ftirilmi\u015f ger\u00e7eklik\u201d yeni bir peyzajd\u0131r. Bir datascape\u2019tir…<\/p>\n
Benjamin Weil<\/p>\n
Paris’te do\u011fan ve b\u00fcy\u00fcyen Weil, 1989 y\u0131l\u0131nda Whitney Ba\u011f\u0131ms\u0131z \u00c7al\u0131\u015fma Program\u0131’ndan mezun oldu. \u00c7al\u0131\u015fmalar\u0131n\u0131 ba\u011f\u0131ms\u0131z olarak s\u00fcrd\u00fcrd\u00fc\u011f\u00fc 1990’l\u0131 y\u0131llarda k\u00fcrat\u00f6r,aralar\u0131nda Jenny Holzer, Doug Aitken ve Lawrence Weiner gibi isimlerin bulundu\u011fu hem gen\u00e7 hem de tan\u0131nm\u0131\u015f sanat\u00e7\u0131lar\u0131n sipari\u015f eserlerine adanm\u0131\u015f, ada’web isimli dijital yap\u0131m st\u00fcdyosunun kurucular\u0131 aras\u0131nda yer ald\u0131. 2000 – 2006 aras\u0131nda San Francisco Modern Sanatlar M\u00fczesi’nde Medya Sanatlar\u0131 K\u00fcrat\u00f6rl\u00fc\u011f\u00fc yapt\u0131. Bu d\u00f6nemde Pipilotti Rist ve Christian Marclay gibi tan\u0131nm\u0131\u015f sanat\u00e7\u0131lara yerle\u015ftirme sipari\u015fleri verdi. Ayr\u0131ca Gary Hill ve Matthew Barney gibi isimlerle \u00e7al\u0131\u015ft\u0131. Weil, 2006 – 2012 y\u0131llar\u0131 aras\u0131nda Fondation d’entreprise Herm\u00e9s’in sipari\u015f video program\u0131 H BOX’ da Sanat Direkt\u00f6r\u00fc olarak \u00e7al\u0131\u015ft\u0131. Projeyi olu\u015fturmaktan ve en fazla 4 gen\u00e7 sanat\u00e7\u0131y\u0131 se\u00e7erek tek kanall\u0131 video \u00e7al\u0131\u015fmas\u0131 \u00fcretmekten sorumluydu. Video \u00e7al\u0131\u015fmas\u0131 daha sonra Mimar ve Sanat\u00e7\u0131 Didier Faustino taraf\u0131ndan tasarlanan gezici bir g\u00f6sterim odas\u0131nda sergilendi. H BOX Program\u0131 kapan\u0131ncaya kadar d\u00fcnyan\u0131n her yerinden sanat\u00e7\u0131lara 21 video \u00e7al\u0131\u015fmas\u0131 sipari\u015f edildi. Benjamin Weil 2009 senesinden bu yana \u0130spanya\u2019n\u0131n kuzeybat\u0131s\u0131ndaki Asturia\u2019da yer alan Laboral Centro de Arte y Creaci\u00f3n Industrial’de Sanat Direkt\u00f6rl\u00fc\u011f\u00fc yap\u0131yor.Yeni bili\u015fim teknolojileri ile ortaya \u00e7\u0131kan sanat ve k\u00fclt\u00fcr formlar\u0131n\u0131n \u00fcretilip yorumland\u0131\u011f\u0131 2007 kurulu\u015flu merkez, sergiler, \u00fcretim at\u00f6lyeleri ve t\u00fcm izleyicilere uygun e\u011fitim programlar\u0131ndan olu\u015fan geni\u015f bir program sunuyor.<\/p>\n\n","protected":false},"excerpt":{"rendered":"
Borusan Contemporary, yine ses getirecek ilgin\u00e7 bir sergiyi sanatseverlerle bulu\u015fturuyor. K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Benjamin Weil’in yapt\u0131\u011f\u0131 "Datascape" adl\u0131 sergide, teknolojinin, ger\u00e7ekli\u011fi nas\u0131l d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fc, d\u00fcnyaya ve manzaralara bak\u0131\u015f\u0131m\u0131z\u0131 nas\u0131l de\u011fi\u015ftirdi\u011fi sorgulan\u0131yor. \u00c7\u0131plak g\u00f6zle g\u00f6rebildi\u011fimizin \u00f6tesindeki ger\u00e7eklikleri, olup bitenleri…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-8432","post","type-post","status-publish","format-standard","hentry","category-blogum"],"yoast_head":"\n